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- <text id=90TT2540>
- <title>
- Sep. 24, 1990: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Sep. 24, 1990 Under The Gun
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 16
- </hdr>
- <body>
- <p>ART
- </p>
- <p> KAZIMIR MALEVICH: 1878-1935. This sweeping retrospective
- shows off all phases of Malevich's avant-garde artistic career,
- from his abstract suprematist masterpieces to styles as diverse
- as neoprimitivism and cubo-futurism. At the National Gallery
- of Art, Washington, through Nov. 4.
- </p>
- <p> RENOIR: THE GREAT BATHERS. Renoir's Great Bathers combined
- impressionist technique and the classical figure to produce a
- manifesto on how modern painting could also be monumental. The
- famous canvas is here surrounded with related paintings,
- drawings and sculptures. At the Philadelphia Museum of Art
- through Nov. 25.
- </p>
- <p>MUSIC
- </p>
- <p> WAS (NOT WAS): ARE YOU OKAY? (Chrysalis). In the two years
- since his group's groundbreaking album What Up, Dog?, Don Was
- has become a hotshot producer. But he still knows how to find
- a groove. The latest offering borrows its funk from James
- Brown, its harmonies from the Temptations, a heaping of wit
- from Zappa, and makes it all cook.
- </p>
- <p> MARCUS ROBERTS: DEEP IN THE SHED (Novus). Now on his own
- after five years with the Wynton Marsalis band, this blind,
- bluesy, brilliant pianist is out with a gem of an album that
- showcases his skills as a composer as well as his stylish work
- at the keyboard.
- </p>
- <p> CHANT GREGORIEN (Harmonia Mundi). This collection of
- medieval liturgical songs, featuring the late countertenor
- Alfred Deller and the Deller Consort, illustrates the paradox
- of austere expression that is also voluptuous.
- </p>
- <p>TELEVISION
- </p>
- <p> THE CIVIL WAR (PBS, Sept. 23-27). For five consecutive
- nights, Ken Burns' 12-hour documentary series will chronicle
- the nation's bloodiest conflict, using interviews, archival
- footage and readings by such people as Morgan Freeman and Jason
- Robards from documents of the era.
- </p>
- <p> LEONA HELMSLEY: THE QUEEN OF MEAN (CBS, Sept. 23, 9 p.m.
- EDT). Another season of ripped-from-the-headlines docudramas
- gets under way as Suzanne Pleshette plays the hotel harridan.
- Can you resist?
- </p>
- <p> ORPHEUS DESCENDING (TNT, premiering Sept. 24). Vanessa
- Redgrave dazzled London in a 1988 revival of Tennessee
- Williams' 1957 flop. Playing an Italian-American misfit in a
- small Southern town, she was less rapturously received in the
- subsequent Broadway production (the basis for this film).
- Still, her over-the-top performance fascinates.
- </p>
- <p>THEATER
- </p>
- <p> SMOKE ON THE MOUNTAIN. Good ole country folk sing the
- evening away in this funny, affectionate off-Broadway look at
- a Saturday night Bible Belt church meeting circa 1938. "Praise
- be!"
- </p>
- <p> MY CHILDREN, MY AFRICA. South Africa's laureate of liberal
- anguish, Athol Fugard, staged the production at La Jolla
- Playhouse, near San Diego, of his harrowing play about the
- breakdown of civility and the possibility for compromise in his
- native land. As always with Fugard, the language is poetic, the
- vision inspiring and the truth unflinchingly confronted.
- </p>
- <p>BOOKS
- </p>
- <p> WHAT HAPPENED WAS THIS by Josh Greenfeld (Carroll & Graf;
- $18.95). This zesty comic novel about a young man's climb from
- Catskills waiter to Hollywood film director who testifies
- against his left-wing friends during the McCarthy era could
- have been called What Makes Sammy Rat?
- </p>
- <p> NOW YOU KNOW by Kitty Dukakis with Jane Scovell (Simon &
- Schuster; $19.95). What starts out as another sad story of
- anxiety and alcohol abuse by the wife of a public official
- eventually turns into a moving saga of courage as the author
- struggles to come back from a defeat far more humiliating than
- her husband's wipeout at the polls.
- </p>
- <p>MOVIES
- </p>
- <p> POSTCARDS FROM THE EDGE. Meryl Streep and Shirley MacLaine
- embody the glamorous wit of Carrie Fisher's novel about an
- actress in rehab and her movie-star mom. Under the sorcerer's
- wand of director Mike Nichols, this terrific comedy is a Terms
- of Endearment in which nobody dies but everyone hurts.
- </p>
- <p> THE TALL GUY. Jeff Goldblum is a lanky second banana to an
- overbearing comedian (Rowan Atkinson); Emma Thompson is the
- woman who slips on the peel of the tall guy's goofy allure.
- Keep your expectations low, and enjoy this deft British trifle.
- </p>
- <p>ET CETERA
- </p>
- <p> YOUNG PLAYWRIGHTS FESTIVAL. It's a bit like going to the
- U.S. Open for the girls' singles, hoping to spot next year's
- Capriati. This annual autumn event in Manhattan offers an
- evening of one-act plays by aspiring dramatists, who must be
- under 18 at the time of submission. The works, typically, are
- much ado about first love and sensitive, misunderstood youth;
- typically, also, at least one of the sketches shows potential
- genius struggling toward maturity. Through Oct. 6.
- </p>
- <p> MAN RAY/BAZAAR YEARS. As these 140 works amply demonstrate,
- Man Ray bridged the worlds of surrealist art and fashion
- photography like no one else in this century. At New York
- City's International Center of Photography Midtown through Nov.
- 25.
- </p>
- <p>SPOILS OF WAR
- </p>
- <p> War is hell, but the postwar limbo may be worse. Grieving
- is a job for the strong. So says French filmmaker Bertrand
- Tavernier in his exemplary Life and Nothing But. This epic
- romantic drama, set in the aftermath of World War I, reins in
- its anger but not its wistful passion. Gruff Philippe Noiret
- plays a French officer assigned to choose the corpse that will
- serve as the nation's Unknown Soldier. As he assists two women--an attractive aristocrat (Sabine Azema) and a young teacher
- (Pascale Vignal)--in locating their men, he realizes that
- there are many casualties on the scarred battlefields. They
- include those searching and mourning for their loved ones. At
- the end, Noiret sends a poignant love letter to Azema; the
- experience has made them a couple, perfectly matched but sadly
- unfulfilled. Tavernier, an ebullient bear of a man, is very
- much in the spirit of France's patron-saint director, Jean
- Renoir. In this monumental meditation on love in a time of war,
- Tavernier has made his own Rules of the Game.
- </p>
- <p>By TIME's Reviewers. Compiled by Andrea Sachs.
- </p>
-
- </body>
- </article>
- </text>
-
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